Woolven had become frustrated: "I wanted to try and make sure that the solo album sounded one way and the Lizzy stuff sounded another way. At this point Lynott and co-producer Kit Woolven had a disagreement about sharing studio time between Thin Lizzy and Lynott's solo project. The band continued working at Odyssey Studios and Morgan Studios, recording overdubs and developing more material during September. This was never considered for the Renegade album, although possibly for Lynott's solo album, but it ultimately appeared on a flexi disc given away with Flexipop magazine in the UK in August. Also around this time, Lynott and drummer Brian Downey reunited with the band's original guitarist Eric Bell, who had left in 1973, to record "Song for Jimmy". This song, along with "Hollywood (Down on Your Luck)", was performed live for the first time in Germany in late August. īetween touring and festival dates, Thin Lizzy also began work on "Disaster", co-written by Lynott and Wharton. The title of the forthcoming album was pencilled in to be Trouble Boys to link to the single, but when it stalled at number 53 in the UK charts, the title and the two covers were dropped. Scott was dead against putting it out." Wharton remembered, "Everyone hated the damn song," while British music newspaper Record Mirror described it as "dinosaur stuff". White later said, "Nobody wanted to put that out except Phil. Lynott wanted to release the former as a single, against the wishes of the rest of the band, and convinced the band's record company to do so. "Trouble Boys" Īlso in July, the band recorded two covers: "Trouble Boys", written by Billy Bremner of Rockpile (who was present in the studio at the time), and Percy Mayfield's "Memory Pain", suggested by White and featuring his bluesy lead guitar. "Kill (Gotta Get a Gun)" was developed, as was "Mexican Girl" (now retitled "Mexican Blood"). The former was rewritten as "Down on Your Luck" in July, before receiving its final title of " Hollywood (Down on Your Luck)". Two further songs were started which did find their way on to Renegade – "Banging My Head Against the Wall" and "I'm Gonna Leave This Town". Later in May and June, two songs featuring White on lead vocals, "Only Woman" and "Moving Away From Here", were recorded but unfinished. Another song recorded at this time which was eventually left unused was "For Always" (originally titled "Darren's Tune"), which originated with keyboard player Darren Wharton, and featured a string arrangement by Fiachra Trench. More time was spent on "The Act", while Lynott recorded an eight-minute demo of a tune called "Mexican Girl". In early May, Thin Lizzy began work at the new Odyssey Studios in London, as they were increasingly unable to secure time at Good Earth Studios. The latter was the only track which emerged on Renegade. Three other songs were brought in: the upbeat "Kill (Gotta Get a Gun)" guitarist Scott Gorham's song "Wham Bam", and a song begun by Snowy White called "Fats". ![]() Work continued on "In the Delta", and a song left over from the Chinatown sessions, "The Act", was reworked and abandoned again, while another song destined to be a Lynott solo track, "Someone Else's Dream", was recorded. The band then went on the road, before convening at Townhouse Studios in London in March to work on more new material. "In the Delta" ultimately remained unused, but "It's Getting Dangerous for Us" became the first song earmarked for the as yet untitled Thin Lizzy album. ![]() ![]() However, band leader and main songwriter Phil Lynott was also using this studio time to record material for his second solo album, and two of these songs, "Cathleen" and "A Little Bit of Water", appeared on The Philip Lynott Album the following year. Chinatown co-producer Kit Woolven accompanied them, and they worked on four songs during the following week. The previous album Chinatown having been released in October 1980, Thin Lizzy travelled to Compass Point Studios, Nassau, in early January 1981 to start work on the follow-up.
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